Music Education Seminar Series
Join us for an annual series of lectures, presented by the Music Education Department at the Don Wright Faculty of Music. Please check back often as more speakers are confirmed.
September 28 – 30, 2017
Sandra Stauffer: Listening and Composing in the Classroom
Music Education Salon
Thursday, September 28, 6:30 p.m. - contact firstname.lastname@example.org for location information
Music Education Talk
Friday, September 29, 11:30 a.m., Talbot College 307
Music Education Teacher Workshop
Saturday, September 30, 9:30 a.m. to 12:30 p.m., Talbot College 307
Sandra Stauffer is Professor of Music Education in the School of Music and Senior Associate Dean in the Herberger Institute for Design and the Arts at Arizona State University. Prior to joining the ASU faculty, she was a faculty member and chair of music education at the Peabody Conservatory of Music. Her research focuses on creativity in music, particularly among children and young adults, place philosophy and its connections to music and education, and narrative inquiry in music. Learn more
October 18, 2017
Deborah Bradley: Why Social Justice in Music and Education?
Introduction to Music Education
Wednesday, October 18, 11:30 a.m. - Talbot College 307
PhD Student Advising Sessions
Wednesday, October 18, 2 p.m. - 4:30 p.m. - Talbot College 118
Critical Race Theory and Music Education
Wednesday, October 18, 6 p.m. - Talbot College 307
Dr. Deborah Bradley currently teaches at the University of Toronto Faculty of Music. She previously was Assistant Professor of Music Education in the Department of Curriculum and Instruction at the University of Wisconsin-Madison. She retired from UW-Madison in 2010, and taught at the University of Toronto Faculty of Music and Emmanuel College from 2010-2014. She also previously taught at U of T from 1997-2005. Her teaching and research are in the areas of World Music Education (Choral and General Music), and Anti-Racism Education. Learn more
November 22 - 24, 2017
José Luis Aróstegui: Global Challenges in Music Education
Global Challenges in Music Education
Wednesday, November 22, 6 p.m. - Talbot College 307
Music Education Salon
Thursday, November 23, 6:30 p.m. - contact email@example.com for location information
Graduate Colloquium Series: Neoliberalism and Knowledge Economy and Their Impact on Music Education
Friday, November 24, 3:30 p.m. - Talbot College 101
José Luis Aróstegui is Professor at University of Granada--Spain--, Music Education at the University of Granada. His formal training is in Western classical music, education and qualitative research. During 2001-2003, he held a postdoctoral fellowship sponsored by the Ministry of Education of Spain at the University of Illinois, USA. Learn more
February 1 - 3, 2018
Maud Hickey: Creative Thinking in Music
Music Education Salon
Thursday, February 1, 6:30 p.m. - contact firstname.lastname@example.org for location information
Graduate Colloquium Series: Creative Thinking in Music: What Do We Know? And Where Is It Happening?
Friday, February 2, 3:30 p.m. - Talbot College 101
Music Education Teacher Workshop: Improvisation and Creativity Today: Exploring Classroom Practices
Saturday, February 3, 9:30 a.m. to 12:30 p.m., Talbot College 307
Maud Hickey is an Associate Professor of music education in the Bienen School of Music at Northwestern University in Evanston, IL. Hickey’s research interest lies in the teaching of, as well as assessment of, musical creativity as manifest through improvisation and composition, and most recently has connected this research interest with work with detained youth. She is a six-year recipient of a quarter of a million-dollar grant from the Chicago Community Trust to work with and research juveniles in the Cook County Juvenile Detention Center as they compose music. Learn more
Christopher Cayari, Purdue University
Elizabeth Gould: Before and After: Queer Temporalities in LGBTQ Studies and Music Education
Elizabeth Gould is Associate Professor in the Faculty of Music at the University of Toronto. She teaches philosophically based courses in music and music education, and serves as liaison to the Mark S. Bonham Centre for Sexual Diversity Studies. Previously, she served on the music faculties of the University of Wisconsin-Madison and the Boise State University. Her research interests include gender and sexuality in the context of feminisms and queer theory.
Jim Karas: Creativity and Improvisation as a Foundation for Music Literacy
Jim Karas is an instrumental music teacher at Lefler Middle School in Lincoln, NE.His duties include teaching Band, Orchestra and Jazz Band. Dr. Karas earned his degrees from the University of Nebraska-Lincoln, University of Bridgeport (CT), and Western Connecticut State University. He also attended the Hartt School of Music. Prior to working at Lefler, Dr. Karas held a position as Visiting Scholar and Lecturer in the UNL School of Music. He taught Instrumental Methods courses and supervised student teachers and practicum students. As a secondary educator, his school experience includes time in the Marinette Public School System (Marinette, WI) and Stratford Public Schools (Stratford, CT).
Carlos Abril: Invoking the Creative Spirit in the Music Classroom
Carlos Abril is professor of music and director of undergraduate music education at the University of Miami Frost School of Music where he teaches courses in general music methods, children's musical cultures, philosophy of music education, and cultural diversity in music education. His research focuses on sociocultural issues in music education, music education policy, and music perception. His work is published in numerous research journals, professional magazines and books.
Mark Hopkins: Creativity in the Band Classroom
Dr. Mark Hopkins is an Associate Professor in the School of Music at Acadia University in Wolfville, Nova Scotia. He is responsible for teaching undergraduate and graduate Conducting, Music Education foundation courses, leads the Wind Ensemble, and oversees Wind Music Studies and Performance at Acadia University. In addition to his academic duties, Dr. Hopkins is much in demand as a guest conductor and music education consultant.
Randall Allsup: Remixing the Classroom: Toward an Open Philosophy of Music Education
Randall Allsup holds degrees in music performance and music education from Northwestern and Columbia University. Randall graudated from Teachers College in 2002 and was later awarded "Outstanding Dissertation of the Year" by the Council on Research in Music Education for Crossing Over: Mutual Learning and Democratic Action in Instrumental Music Education. Before returning to Teachers College as assistant professor, now associate, Randall was coordinator of music education and director fo bands at Hartwick College, Oneonta, NY.
Andrea Creech: Rocking into later life: Using music to support positive ageing
Andrea Creech has extensive experience as an academic (psychology and adult education), professional musician, music teacher and researcher. She has returned to Canada to serve as professor and Canada Chair in Music at the University of Laval, Quebec. Previously, she was a Reader in Education and Faculty Director of Research at the Institute of Education, University of London, Associate lecturer (psychology) for the Open University and Guest Lecturer at the Guildhall School of Music & Drama. Creech has held principal positions in orchestras in the UK and Canada and subsequently was founder and director of a Community Music School in the Republic of Ireland.
Geir Johansen: (Self-) Critical Music Education – How Should We Relate to the “New Wave”
Geir Johansen is professor of music education and music Didaktik at the Norwegian Academy of Music in Oslo, Norway. Among his research interests are curriculum implementation, talent education, music teacher education, and educational quality in higher music education along with conservatoires in society, all within the overall perspective of the sociology of music education. He has published articles in international journals as well as chapters in books and anthologies, and presented papers at various international conferences. He holds a bachelor, master and Ph. D. in music education.
Nasim Niknafs: In a box: The story of an underground Iranian musician
Nasim Niknafs, an Assistant Professor of Music Education in the Faculty of Music at the University of Toronto, acquired her doctoral degree from Northwestern University in music education. Born and raised in Iran, she graduated from University of Art in Tehran in piano performance, following which she completed two Masters degrees in music education at Kingston University, London and New York University.
Joseph Abramo, Ed. D. is an Assistant Clinical Professor of Music Education in the Neag School of Education at the University of Connecticut, where he teaches undergraduate courses in instrumental methods and graduate courses in the theoretical foundations of music education and popular music and informal learning, and supervises student teachers.
Dr. Patrick Jones: Leadership and Organic Curricular Change in Higher Education
Dr. Patrick M. Jones is Director of Veteran Enrollment Practice for Syracuse University, professor of music in the Syracuse University Setnor School of Music and its former Director. He has served in a variety of administrative roles at Syracuse University and elsewhere at departmental, school, college, and university levels, has held leadership positions in national and international scholarly societies, and is a member of the editorial boards of the International Journal of Community Music and Visions of Research in Music Education.
Lori Dolloff: Reflections on Who Tells Whose Stories
Since 1994, Lori Dolloff has been a professor at the Faculty of Music, University of Toronto. She is Coordinator of the Music Education Department and teaches undergraduate and graduate courses in choral conducting, music teaching and narrative research methods.
Carlos Xavier Rodriguez, Associate Professor of Music Education in the School of Music, Theatre and Dance at the University of Michigan
Robert Duke, Marlene and Morton Meyerson Centennial Professor and Head of Music and Human Learning at The University of Texas at Austin