MPS Handbook - Ensembles
Every music student registered for Undergraduate Applied Music instruction (except Music 1925, 2925, 3925 or 4925) must participate in a Large Ensemble in each year of registration. Students registered in Graduate Applied Music instruction need only register in for one of their two years (9528). Graduate students studying an orchestral instrument must also do an additional half course in Chamber Orchestra unless they are participating in the Early Music Studio.
Students must be able to attend every weekly rehearsal in order to be placed in a choir/ensemble. Choristers and instrumental brass, woodwind and percussion players are advised to keep Mon-Thurs 3:30-5:30 pm available in their schedules until their ensemble is assigned.
If wind, brass, percussion, or string majors do not audition at an appropriate level, or skip the audition process, the ensemble directors may choose to refuse them instrumental ensemble placement. The instrumental ensemble directors will notify the appropriate students of non-placement by the Sunday following auditions. In such cases, it will be the responsibility of the student to arrange a choral audition either at the regularly scheduled times, or with Jen Moir (jmoir@uwo.ca; MB 323) at least a half hour prior to the first choral rehearsals, Monday, September 12 at 3 pm.
Placement in any ensemble is not guaranteed.
Please note, the audition is one step among several in determining Large Ensemble assignments. Other factors, such as course requirement levels and ensemble assignments in previous years, will also be taken into account. The final decision on assignments rests with the Dean’s Office on the advice of the auditioners.
Large Ensembles offered in 2011/2012 are:
- Orchestra

- Wind Ensemble
- Symphonic Band
- Jazz Ensemble
- UWO Singers
- Les Choristes
- Chorale
- St. Cecilia Singers
- Early Music Studio*
- Accompanying for Credit (by Permission of Dept.)*
- UWOpera Workshop*
*Admission to these ensembles is by audition and studio teacher permission. Also note that Opera Workshop does not fulfil the Large Ensemble Requirement for Undergraduate Programs; a separate course credit is offered.
Keyboard majors, guitarists: A few pianists will be able to elect Accompanying for Large Ensemble credit (see below), but most keyboard players and guitarists will audition on a secondary instrument or sing in a choir. They should therefore follow the audition instructions for voice or orchestral instruments.
Woodwind, Brass and percussion majors are eligible to audition for the Symphony Orchestra, any Band or the Jazz Ensemble.
All string players, other than guitar, must play in the Symphony Orchestra unless by permission of the department.
Students may be off instrument for their Large Ensemble credit for a maximum of two out of four years.
Large Ensemble rehearsals are not like other classes or labs, but rather like a professional service; attendance is mandatory. Instrumental rehearsals are normally held from 3:30 to 5:30 p.m. two days per week. Choirs rehearse for one hour, four days per week. Extra dress rehearsals are scheduled before each concert and performances are generally held outside of the normal rehearsal times.
Ensemble |
Conductor/Coordinator |
Rehearsal Day |
Rehearsal Time |
Room
|
| Orchestra | G. Moull |
Tues, Thurs | 3:30-5:45 | MB 104 |
| Wind Ensemble | C. Richardson |
Mon, Wed | 3:30-5:30 | MB 104 |
| Symphonic Band | G. McCumber |
Mon, Wed | 6:00-8:00 | MB 104 |
| Jazz Ensemble | B. Smith, B. Thompson |
Thurs | 7:00-10:00 | MB 104 |
| EMS - Instr. | R. Semmens, J. Lanza |
Mon, Wed | 3:30-5:30 | MB 236 |
| Accompanying for Credit | TBA | N/A | ||
| UWO Singers | Mon-Thurs | 3:30-4:30 | MB 102 |
|
| Les Choristes | J. Moir |
Mon-Thurs | 3:30-4:30 | TC 100 |
| St. Cecilia Singers | G. Gassi |
Mon-Thurs | 4:30-5:30 | MB 102 |
| Chorale | J. Moir |
Mon-Thurs | 4:30-5:30 | TC 100 |
| Opera & Music Theatre | T. Baerg | Tues Fri |
5:30-9:00 4:00-9:00 |
MB 104 |
| Chamber Music | T. Wiebe, J. Starling |
N/A | ||
| Chamber Orchestra | G. Moull |
Tues, Thurs | 7:00-8:45 | TC 131 |
First Rehearsals for the 2011-2012 Season
- Early Music Studio
- Monday, Sept. 12: 3:30-5:30 (MB 236)
- Symphony Orchestra
- Tuesday, Sept. 13: 3:30-6:00 (MB 104)
- Wind Ensemble
- Wednesday, Sept 14: 3:30-5:30 (MB 104)
- Symphonic Band
-
TBA-general meeting
- TBA- first rehearsal
- Jazz Ensemble
- Thursday, Sept. 15: 7:00-10:00 (MB 104)
- UWOpera
- Tuesday, Sept. 20: 7:30-9:00 (MB 104)
- Chamber Orchestra
- Thursday, Sept. 15, 7:00-8:45pm (TC 131)
Men: black tuxedo, white shirt, black bow tie, black dress shoes, black socks.
Women: full-length black skirt, long-sleeved black blouse, flat or low-heeled black dress shoes.
Note: All choir members are required to provide their own black folder.
Instrumental Concert Attire
Men: Black tuxedo, white shirt, and black bow tie, black dress shoes and black socks.
Women: Full-length black skirt or black pants, long-sleeved black blouse, and black dress shoes.
Admission to all Ensembles is by audition. Auditions are held during the first week following Labour Day, and, if necessary, during the first week of classes. Accompanists are only required for the UWOpera Workshop auditions. The Ensembles bulletin board on the second floor of the Music Building carries news about Ensembles, including auditions, sign-up sheets, etc.
- Accompanying for Large Ensemble Credit
- Choirs
- Early Music Studio
- Strings
- UWOpera
- Winds, Brass and Percussion
Accompanying for Credit
Accompanying for Credit is permitted as an alternative to participation in a choir for piano students in second, third or fourth year, and in first year with permission of the instructor and the Performance Department Chair. To obtain this credit, accompanists must accompany for all lessons, rehearsals, juries, and/or recitals, one Performance major or two non-performance majors. Students wishing to be considered for Accompanying for Credit must see the Accompanying Coordinator no later than the first week of classes. All piano performance majors are required to accompany for credit for at least one year.
Students auditioning for Accompanying for Credit should be aware that this is not generally available for first year students. Also, students registering for accompanying for credit should audition for a choir or other ensemble in the event that they are not required for accompanying for credit.
Choirs
2011-2012 Choral auditions will be held in Music Building 18 on:
- Wednesday, Sept 7: 9:00am-12:00pm & 1:00-5:00pm
- Thursday, Sept. 8: 1:00-5:00pm
- Friday, Sept. 9: 1:00-5:00pm
Voice auditions are 5 minutes in length. There will be a range test, scales, arpeggios and sightsinging. Please sign up for an audition early in the week because there are too many singers to be heard near the end of the week.
Sign-up sheets for choirs will be on the Choirs' Bulletin Board on the second floor of Music Building.
Early Music Studio
Please note that the Early Music Studio (EMS) is available either as a large ensemble credit or as a course credit (course 2971a/2972b, 3971a/3972b, 4971a/4972b).
2011-2012 Auditions for Early Music Studio will be held in Music Building 236 on:
- Wednesday, Sept. 7: 3:00-5:00 (Instrumentalists)
- Thursday, Sept. 8: 3:00-5:00 (Instrumentalists)
Sign-up sheets for EMS will be on the EMS bulletin board on the second floor of Music Building.
Instrumentalists in the Early Music Studio focus on music of the 17th and 18th centuries, performing on copies of period instruments with attention to historical performance practices, usually at A-415 or A-430 Hz.
While candidates with experience on period instruments are preferred, students may audition on either a period instrument or on its modern equivalent. You must, however, be prepared to play music from the baroque or classical periods (composed 1600-1800) at the audition. Keyboard players will be expected to play harpsichord, fortepiano and continuo organ in the ensemble; playing from figured bass will be encouraged and expected by the second term of participation..
Large Ensemble Audition Excerpts for Instrumentalists can be accessed here:
https://www.uwo.ca/music/restricted/
username: excerpts
password: 2011
Strings
2011-2012 String auditions are held for the UWO Symphony Orchestra and the UWO Chamber Orchestra.
All string majors will audition for placement in The UWO Symphony Orchestra for their Large Ensemble credit. Sign up sheets for Strings will be on the Ensembles bulletin board. Auditions will take place in von Kuster Hall:
- Friday, Sept. 9: 9:30-1:30 (Violins and Violas)
- Friday, Sept. 9: 2:30-5:00 (Celli and Basses)
All string audition repertoire can be downloaded from the secure page on our website https://www.uwo.ca/music/restricted/ (use the below username and password for access) username: excerpts |
UWOpera
A sign-up sheet will be posted outside Prof. Baerg's studio (Music Building 127) after Sept. 1, 2011.
The auditions for UWOPERA (Opera Workshop) will be held on:
- Monday, Sept. 12, 6:00-10:30 (Music Building 102)
- Tuesday, Sept. 13: 6:00-10:30 (Music Building 104) Auditions are open to all.
Have one aria or song prepared.
Please bring your own accompanist to the audition and arrive at least 15 minutes early.
Repertoire for 2011-12
South Pacific - Rodgers and Hammerstein
4-5 performances to be performed in late November
Music Director - Mark Payne Stage Director - Michael Cavanaugh
Die Fledermaus - J. Strauss
6-7 performances the first two weekends of February 2012
Sung in German with English Dialogue
Music Director - Geoffrey Moull Stage Director - Theodore Baerg
A Special Operatic Presentation by MMus Candidates late March (Repertoire TBA)
Music Director - Mark Payne Stage Director - Theodore Baerg
A special Scholarship Concert sponsored by the London Opera Guild during the fall term. Five participants will be chosen from members of UWOPERA based upon their auditions by the producer, coaches, and music director. Each of the participants will receive coaching and a scholarship of approximately $250. They will also perform at a concert held in early November sponsored by the London Opera Guild.
Mark Payne will be the coach/pianist and music director for this concert. More details will be available at the start of the academic term.
Winds, Brass and Percussion
All wind, brass and percussion students will audition for the UWO Symphony Orchestra, the UWO Wind Ensemble, the UWO Symphonic Band, the UWO Chamber Orchestra and the UWO Jazz Ensemble (Winds and Brass only for Jazz Ensemble) on the following 2011-2012 dates:
- Winds & Brass: Wednesday, Sept. 7: 9:00-6:00 (Music Building, room 104l)
- Winds & Brass: Thursday, Sept. 8: 9:00-6:00 (Music Building, room 104l)
- The Wind/Brass schedule for both days:
- Flutes: 9:00-10:30
- Bassoons: 11:45-12:00
- Oboes: 10:35-10:55
- Clarinets: 10:55-11:45
- Saxophones: 1:00-2:10
- Euphoniums: 2:10-2:20
- Trumpets: 2:30-4:00
- Trombones & Tubas: 4:10-5:15
- Horn: 5:25-6:20
- Percussion: 6:45-7:55 (Music Building 122)
- The Wind/Brass schedule for both days:
Sign up sheets for Winds, Brass and Percussion will be posted on the Ensembles Bulletin Board on the second floor of the Music Building. All excerpts can be found in the Music Library (on reserve), from studio teachers, and online at https://www.uwo.ca/music/restricted/ |
All wind and brass students auditioning for Symphony Orchestra, Wind Ensemble, Symphonic Band and Jazz Ensemble shall prepare all excerpts listed below. Percussionists should prepare all percussion excerpts listed below.
Drummers, pianists, guitarists and bassists wishing to audition for Jazz Ensemble, contact Bruce Smith to arrange a separate audition time and for information on what to prepare. Students whose major is not music who wish to audition for the jazz ensemble should be prepared to play Anthropology (by Charlie Parker), preferably by memory.
Composer |
Piece |
Movement |
Bar/rehearsal # |
|
|
Beethoven |
Leonore Overture |
No. 3 |
Measure 1-36 |
|
|
Beethoven |
Leonore Overture |
No. 3 |
Measure 278-360 |
|
|
Dvorak |
Symphony No. 8 |
Movement IV |
8 before Rehearsal D |
|
|
Mendelssohn |
Symphony No. 4 |
Movement IV |
Measure 1 |
|
|
Brahms |
Symphony No. 4 |
Movement IV |
Measure 89 |
|
|
Rossini |
The Barber of Seville |
Allegro Vivace |
*Optional Picc excerpts Recommended for WE/SO auditions
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Brahms |
Symphony No. 3 |
Movement 1 |
Measure 36-46 |
|
|
Brahms |
Symphony No. 3 |
Movement 2 |
Measure 1-22 |
|
|
Mendelssohn |
Symphony No. 4 |
Movement 2 |
Measure 45-56 |
|
|
Mendelssohn |
Symphony No. 4 |
Movement 4 |
Measure 13-30 |
|
|
Stravinsky |
Firebird Suite |
Variation de L’oiseau de Feu |
Measure 1-19 |
|
|
Kodaly |
Dances of Galanta |
|
Measure 32-49 |
|
|
Hindemith |
Symphony in B-flat |
Movement 1 |
Measure 37-57 |
*Optional Bass Cl. |
|
Hindemith |
Symphony in B-flat |
Movement 3 |
Measure |
*Optional |
|
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Beethoven |
Symphony No. 3 |
Marcia Funebre |
Bar 8-17 |
|
|
Beethoven |
Symphony No. 3 |
Marcia Funebre |
Bar 69-101 |
|
|
Tchaikovsky |
Swan Lake |
Moderato |
Bar 1-19 |
|
|
Stravinsky |
Pulcinella |
Suite no. 6 |
Bar 1-15 |
|
|
H Owen Reed |
La Fiesta Mexicana |
Movement 3 |
10 after Rehearsal 24 until 9 after Rehearsal 26 |
|
|
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Stravinsky |
L’uccello di fuoco |
Balletto |
|
|
|
Ravel |
Concerto for Piano and Orchestra |
Presto |
|
|
|
Rimsky-Korsakov |
Scheherazade op 35 |
Andantino |
|
|
|
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Tchaikovsky |
Symphony no. 2 |
Movement 1 |
Bar 1 |
|
|
Dvorak |
Cello Concerto |
Allegro |
Bar 55 |
|
|
Beethoven |
Symphony No. 3 |
Scherzo |
Bar 150 |
|
|
Beethoven |
Symphony No. 3 |
Trio |
Rehearsal F |
|
|
H Owen Reed |
La Fiesta Mexicana |
Movement 1 |
Rehearsal 10 until rehearsal 11 |
|
|
H Owen Reed |
La Fiesta Mexicana |
Movement 1 |
15 before Rehearsal 1 until 8 before rehearsal 1 |
|
|
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Grainger |
Horkstow Grange |
|
Bar 1-18 |
|
|
Grainger |
Brisk Young Sailor |
|
Bar 14-39 |
|
|
Bernstein |
Symphonic Dances |
From West Side Story |
Bar 400-417 |
|
|
Schoenberg |
Theme and Variations op. 43a |
Var. 2 |
Bar 69-84 |
|
|
Villa-Lobos |
Uirapuru |
|
Cadenza |
*Optional Soprano |
|
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
Tchaikovsky |
Italienisches Capriccio |
|
Opening |
|
Tchaikovsky Prokofiev |
Italienisches Capriccio Lieutenant Kije |
1. The Birth of Kije |
Distant Solo |
|
Prokofiev Gershwin |
Lieutenant Kije American in Paris |
3. Kije’s Wedding |
4 bars after Rehearsal 27 until Rehearsal 30 Lyric Solo |
|
Stravinsky |
Octet for Winds |
|
Rehearsal 6-Rehearsal 10 |
|
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Hindemith |
Symphonic Metamorphoses |
Scherzo, Turnadot |
Rehearsal H |
|
|
Hindemith |
Symphonic Metamorphoses |
Scherzo, Turnadot |
Rehearsal Q |
|
|
Saint Saens |
Symphony No. 3 |
Poco Adagio |
Rehearsal Q |
|
|
Rossini |
William Tell Overture |
Storm Scene |
Rehearsal C |
|
|
H Owen Reed |
La Fiesta Mexicana |
Movement 1 |
12 before rehearsal 6 |
|
|
Bass Trombone Excerpts 2011
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Bartok |
Miraculous Mandarin |
Allegro |
|
|
|
Bizet |
L’Arlesienne Suite |
|
Rehearsal M-4 after P |
|
|
Mahler |
Symphony No. 6 |
Movement IV |
Rehearsal 140- 4 bars after Rehearsal 141 |
|
|
Rossini |
William Tell Overture |
Storm Scene |
Rehearsal C – 9 bars after Rehearsal D |
|
|
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Milhaud |
Suite Francais |
Movement 3 |
Bar 14-25 |
|
|
H Owen Reed |
La Fiesta Mexicana |
Movement 1 |
20 -27 bars after rehearsal 4 |
|
|
Shoenberg |
Theme and Variations op. 43a |
Variation IV |
Measure 169-181 |
|
|
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Tchaikovsky |
1812 Overture |
|
Bar 59-71 |
|
|
Bartok |
Concerto For Orchestra |
IV |
Bar 418-426 |
|
|
Gershwin |
American in Paris |
|
Rehearsal 15 |
|
|
Shoenberg |
Theme and Variations op. 43a |
|
Bar 53-74 |
|
|
Composer |
Piece |
Movement |
Bar/Rehearsal # |
|
|
Timpani |
|
|
|
|
|
Tchaikovsky |
Romeo and Juliet |
|
Pick up into E to down beat of F |
|
|
Mozart |
Symphony No. 39 |
1 |
Opening to Allegro |
|
|
Snare |
|
|
|
|
|
1. A roll from pp-ff no longer than 20 seconds |
|||||
2. Rimsky-Korsakov Scheherazade- Movement 4 |
|||||
Xylophone |
|
|
|
|
|
Kabalevsky |
Overture to Colas Breugnon |
|
|
|
|
Shostakovich |
Polka from the Golden Age |
|
|
|
|
Glockenspiel |
|
|
|
|
|
Dukas |
Sorcerer's Apprentice |
|
4th bar of 17 to 3 before 20 |
|
|
Tambourine |
|
|
|
|
|
Tchaikovsky |
Nutcracker Suite |
Danse Arabe |
|
|
|
Also from this web page:
Students


