MPS Handbook - Ensembles

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  Large Ensemble Participation
  Large Ensemble Rehearsals
  First Rehearsals for the 2011-2012 Season
  Concert Attire
  Ensemble Auditions
  Excerpts for Large Ensembles (strings, winds, brass, percussion)

 

Large Ensemble Participation

Every music student registered for Undergraduate Applied Music instruction (except Music 1925, 2925, 3925 or 4925) must participate in a Large Ensemble in each year of registration. Students registered in Graduate Applied Music instruction need only register in for one of their two years (9528). Graduate students studying an orchestral instrument must also do an additional half course in Chamber Orchestra unless they are participating in the Early Music Studio. 

Students must be able to attend every weekly rehearsal in order to be placed in a choir/ensemble. Choristers and instrumental brass, woodwind and percussion players are advised to keep Mon-Thurs 3:30-5:30 pm available in their schedules until their ensemble is assigned.

If wind, brass, percussion, or string majors do not audition at an appropriate level, or skip the audition process, the ensemble directors may choose to refuse them instrumental ensemble placement. The instrumental ensemble directors will notify the appropriate students of non-placement by the Sunday following auditions. In such cases, it will be the responsibility of the student to arrange a choral audition either at the regularly scheduled times, or with Jen Moir (jmoir@uwo.ca; MB 323) at least a half hour prior to the first choral rehearsals, Monday, September 12 at 3 pm.
Placement in any ensemble is not guaranteed.

Please note, the audition is one step among several in determining Large Ensemble assignments. Other factors, such as course requirement levels and ensemble assignments in previous years, will also be taken into account. The final decision on assignments rests with the Dean’s Office on the advice of the auditioners.

Large Ensembles offered in 2011/2012 are:

*Admission to these ensembles is by audition and studio teacher permission. Also note that Opera Workshop does not fulfil the Large Ensemble Requirement for Undergraduate Programs; a separate course credit is offered.

Keyboard majors, guitarists:  A few pianists will be able to elect Accompanying for Large Ensemble credit (see below), but most keyboard players and guitarists will audition on a secondary instrument or sing in a choir. They should therefore follow the audition instructions for voice or orchestral instruments.

Woodwind, Brass and percussion majors are eligible to audition for the Symphony Orchestra, any Band or the Jazz Ensemble.

All string players, other than guitar, must play in the Symphony Orchestra unless by permission of the department.

Students may be off instrument for their Large Ensemble credit for a maximum of two out of four years.

 

Large Ensemble Rehearsals

Large Ensemble rehearsals are not like other classes or labs, but rather like a professional service; attendance is mandatory.  Instrumental rehearsals are normally held from 3:30 to 5:30 p.m. two days per week. Choirs rehearse for one hour, four days per week.  Extra dress rehearsals are scheduled before each concert and performances are generally held outside of the normal rehearsal times.

 

Ensemble
Conductor/Coordinator
Rehearsal Day
Rehearsal Time
Room
Orchestra G. Moull
Tues, Thurs 3:30-5:45
MB 104
Wind Ensemble C. Richardson
Mon, Wed 3:30-5:30
MB 104
Symphonic Band G. McCumber
Mon, Wed 6:00-8:00 MB 104
Jazz Ensemble B. Smith, B. Thompson
Thurs 7:00-10:00
MB 104
EMS - Instr. R. Semmens, J. Lanza
Mon, Wed 3:30-5:30
MB 236
Accompanying for Credit TBA N/A
UWO Singers

V. Meredith (term 1)

G Neufeld (term 2)

Mon-Thurs 3:30-4:30
MB 102
Les Choristes J. Moir
Mon-Thurs 3:30-4:30
TC 100
St. Cecilia Singers G. Gassi
Mon-Thurs 4:30-5:30
MB 102
Chorale J. Moir
Mon-Thurs 4:30-5:30
TC 100
Opera & Music Theatre T. Baerg Tues
Fri
5:30-9:00
4:00-9:00
MB 104
Chamber Music T. Wiebe, J. Starling
N/A
Chamber Orchestra G. Moull
Tues, Thurs 7:00-8:45
TC 131

 

First Rehearsals for the 2011-2012 Season

  • Early Music Studio
    • Monday, Sept. 12: 3:30-5:30 (MB 236)
  • Symphony Orchestra
    • Tuesday, Sept. 13: 3:30-6:00 (MB 104)
  • Wind Ensemble
    • Wednesday, Sept 14: 3:30-5:30 (MB 104)
  • Symphonic Band
      TBA-general meeting
    • TBA- first rehearsal
  • Jazz Ensemble
    • Thursday, Sept. 15: 7:00-10:00 (MB 104)
  • UWOpera
    • Tuesday, Sept. 20: 7:30-9:00 (MB 104)
  • Chamber Orchestra
    • Thursday, Sept. 15, 7:00-8:45pm (TC 131)

Choral Concert Attire

Men: black tuxedo, white shirt, black bow tie, black dress shoes, black socks.
Women: full-length black skirt, long-sleeved black blouse, flat or low-heeled black dress shoes.

Note: All choir members are required to provide their own black folder.

Instrumental Concert Attire

Men: Black tuxedo, white shirt, and black bow tie, black dress shoes and black socks.
Women: Full-length black skirt or black pants, long-sleeved black blouse, and black dress shoes.

Ensemble Auditions

Admission to all Ensembles is by audition.  Auditions are held during the first week following Labour Day, and, if necessary, during the first week of classes. Accompanists are only required for the UWOpera Workshop auditions. The Ensembles bulletin board on the second floor of the Music Building carries news about Ensembles, including auditions, sign-up sheets, etc. 

 

 

Accompanying for Credit
Accompanying for Credit is permitted as an alternative to participation in a choir for piano students in second, third or fourth year, and in first year with permission of the instructor and the Performance Department Chair.  To obtain this credit, accompanists must accompany for all lessons, rehearsals, juries, and/or recitals, one Performance major or two non-performance majors.  Students wishing to be considered for Accompanying for Credit must see the Accompanying Coordinator no later than the first week of classes. All piano performance majors are required to accompany for credit for at least one year.

Students auditioning for Accompanying for Credit should be aware that this is not generally available for first year students.  Also, students registering for accompanying for credit should audition for a choir or other ensemble in the event that they are not required for accompanying for credit.

 

Choirs
2011-2012 Choral auditions will be held in Music Building 18 on:

  • Wednesday, Sept 7: 9:00am-12:00pm & 1:00-5:00pm
  • Thursday, Sept. 8: 1:00-5:00pm
  • Friday, Sept. 9: 1:00-5:00pm

Voice auditions are 5 minutes in length. There will be a range test, scales, arpeggios and sightsinging. Please sign up for an audition early in the week because there are too many singers to be heard near the end of the week. Sign-up sheets for choirs will be on the Choirs' Bulletin Board on the second floor of Music Building.


Early Music Studio
Please note that the Early Music Studio (EMS) is available either as a large ensemble credit or as a course credit (course 2971a/2972b, 3971a/3972b, 4971a/4972b).

2011-2012 Auditions for Early Music Studio will be held in Music Building 236 on:

  • Wednesday, Sept. 7: 3:00-5:00 (Instrumentalists)
  • Thursday, Sept. 8: 3:00-5:00 (Instrumentalists)

Sign-up sheets for EMS will be on the EMS bulletin board on the second floor of Music Building.

Instrumentalists in the Early Music Studio focus on music of the 17th and 18th centuries, performing on copies of period instruments with attention to historical performance practices, usually at A-415 or A-430 Hz.

While candidates with experience on period instruments are preferred, students may audition on either a period instrument or on its modern equivalent. You must, however, be prepared to play music from the baroque or classical periods (composed 1600-1800) at the audition. Keyboard players will be expected to play harpsichord, fortepiano and continuo organ in the ensemble; playing from figured bass will be encouraged and expected by the second term of participation..

Large Ensemble Audition Excerpts for Instrumentalists can be accessed here:

https://www.uwo.ca/music/restricted/

username: excerpts
password: 2011


Strings

2011-2012 String auditions are held for the UWO Symphony Orchestra and the UWO Chamber Orchestra. All string majors will audition for placement in The UWO Symphony Orchestra for their Large Ensemble credit. Sign up sheets for Strings will be on the Ensembles bulletin board. Auditions will take place in von Kuster Hall:

  • Friday, Sept. 9: 9:30-1:30 (Violins and Violas)
  • Friday, Sept. 9: 2:30-5:00 (Celli and Basses)

 

All string audition repertoire can be downloaded from the secure page on our website https://www.uwo.ca/music/restricted/ (use the below username and password for access)

username: excerpts
password: 2011

 


 

UWOpera
A sign-up sheet will be posted outside Prof. Baerg's studio (Music Building 127) after Sept. 1, 2011.
The auditions for UWOPERA (Opera Workshop) will be held on:

  • Monday, Sept. 12,  6:00-10:30 (Music Building 102)
  • Tuesday, Sept. 13: 6:00-10:30 (Music Building 104) Auditions are open to all.

Have one aria or song prepared.
Please bring your own accompanist to the audition and arrive at least 15 minutes early.


Repertoire for 2011-12

South Pacific - Rodgers and Hammerstein
4-5 performances to be performed in late November
   Music Director -  Mark Payne      Stage Director - Michael Cavanaugh

Die Fledermaus - J. Strauss
6-7 performances the first two weekends of February 2012
   Sung in German with English Dialogue
   Music Director -  Geoffrey Moull     Stage Director - Theodore Baerg

A Special Operatic Presentation by MMus Candidates late March (Repertoire TBA)
   Music Director - Mark Payne    Stage Director -  Theodore Baerg
    
A special Scholarship Concert sponsored by the London Opera Guild during the fall term. Five participants will be chosen from members of UWOPERA based upon their auditions by the producer, coaches, and music director. Each of the participants will receive coaching and a scholarship of approximately $250. They will also perform at a concert held in early November sponsored by the London Opera Guild.
Mark Payne will be the coach/pianist and music director for this concert. More details will be available at the start of the academic term.

 


Winds, Brass and Percussion

All wind, brass and percussion students will audition for the UWO Symphony Orchestra, the UWO Wind Ensemble, the UWO Symphonic Band, the UWO Chamber Orchestra and the UWO Jazz Ensemble (Winds and Brass only for Jazz Ensemble) on the following 2011-2012 dates:

  • Winds & Brass: Wednesday, Sept. 7: 9:00-6:00 (Music Building, room 104l)
  • Winds & Brass: Thursday, Sept. 8: 9:00-6:00 (Music Building, room 104l)

 


Sign up sheets for Winds, Brass and Percussion will be posted on the Ensembles Bulletin Board on the second floor of the Music Building. All excerpts can be found in the Music Library (on reserve), from studio teachers, and online at https://www.uwo.ca/music/restricted/
username: excerpts
password: 2011

 

All wind and brass students auditioning for Symphony Orchestra, Wind Ensemble, Symphonic Band and Jazz Ensemble shall prepare all excerpts listed below. Percussionists should prepare all percussion excerpts listed below.

Drummers, pianists, guitarists and bassists wishing to audition for Jazz Ensemble, contact Bruce Smith to arrange a separate audition time and for information on what to prepare. Students whose major is not music who wish to audition for the jazz ensemble should be prepared to play Anthropology (by Charlie Parker), preferably by memory.

 

Flute Excerpts 2011

Composer

Piece

Movement

Bar/rehearsal #

 

 

Beethoven

Leonore Overture

No. 3

Measure 1-36

 

 

Beethoven

Leonore Overture

No. 3

Measure 278-360

 

 

Dvorak

Symphony No. 8

Movement IV

8 before Rehearsal D

 

 

Mendelssohn

Symphony No. 4

Movement IV

Measure 1

 

 

Brahms

Symphony No. 4

Movement IV

Measure 89

 

 

Rossini

The Barber of Seville

Allegro Vivace

     

*Optional Picc excerpts Recommended for WE/SO auditions

 

 

Clarinet Excerpts 2011 

Composer

Piece

Movement

Bar/Rehearsal #

 

 

Brahms

Symphony No. 3

Movement 1

Measure 36-46

 

 

Brahms

Symphony No. 3

Movement 2

Measure 1-22

 

 

Mendelssohn

Symphony No. 4

Movement 2

Measure 45-56

 

 

Mendelssohn

Symphony No. 4

Movement 4

Measure 13-30

 

 

Stravinsky

Firebird Suite

Variation de L’oiseau de Feu

Measure 1-19

 

 

Kodaly

Dances of Galanta

 

Measure 32-49

 

 

Hindemith 

Symphony in B-flat

Movement 1 

Measure 37-57  

*Optional Bass Cl.

 

Hindemith  

Symphony in B-flat  

Movement 3  

Measure
189-225  

*Optional
E-flat Cl

 

 

Oboe Excerpts 2011 

Composer

Piece

Movement

Bar/Rehearsal #

 

 

Beethoven

Symphony No. 3

Marcia Funebre

Bar 8-17

 

 

Beethoven

Symphony No. 3

Marcia Funebre

Bar 69-101

 

 

Tchaikovsky

Swan Lake

Moderato

Bar 1-19

 

 

Stravinsky

Pulcinella

Suite no. 6

Bar 1-15

 

 

H Owen Reed

La Fiesta Mexicana

Movement 3

10 after Rehearsal 24 until 9 after Rehearsal 26

 

 

 

Bassoon Excerpts 2011

Composer

Piece

Movement

Bar/Rehearsal #

 

 

Stravinsky

L’uccello di fuoco

Balletto

 

 

 

Ravel

Concerto for Piano and Orchestra

Presto

 

 

 

Rimsky-Korsakov

Scheherazade op 35

Andantino

 

 

 

 

French Horn Excerpts 2011

Composer

Piece

Movement

Bar/Rehearsal #

 

 

Tchaikovsky

Symphony no. 2

Movement 1

Bar 1

 

 

Dvorak

Cello Concerto

Allegro

Bar 55

 

 

Beethoven

Symphony No. 3

Scherzo

Bar 150

 

 

Beethoven

Symphony No. 3

Trio

Rehearsal F

 

 

H Owen Reed

La Fiesta Mexicana

Movement 1

Rehearsal 10 until rehearsal 11

 

 

H Owen Reed

La Fiesta Mexicana

Movement 1

15 before Rehearsal 1 until 8 before rehearsal 1

 

 

 

Saxophone Excerpts 2011 

Composer

Piece

Movement

Bar/Rehearsal #

 

 

Grainger

Horkstow Grange

 

Bar 1-18

 

 

Grainger

Brisk Young Sailor

 

Bar 14-39

 

 

Bernstein

Symphonic Dances

From West Side Story

Bar 400-417

 

 

Schoenberg

Theme and Variations op. 43a

Var. 2

Bar 69-84

 

 

Villa-Lobos

Uirapuru

 

Cadenza

 *Optional Soprano

 

 

Trumpet Excerpts 2011

Composer

Piece

Movement

Bar/Rehearsal #

 

Tchaikovsky

Italienisches Capriccio

 

Opening

 

Tchaikovsky

Prokofiev

Italienisches Capriccio

Lieutenant Kije

 

1. The Birth of Kije

 

 Distant Solo

 

Prokofiev

Gershwin

Lieutenant Kije

American in Paris

3. Kije’s Wedding

4 bars after Rehearsal 27 until Rehearsal 30

Lyric Solo

 

Stravinsky

Octet for Winds

 

 Rehearsal 6-Rehearsal 10

 

 

Trombone Excerpts 2011  

Composer

Piece

Movement

Bar/Rehearsal #

 

 

Hindemith

Symphonic Metamorphoses

Scherzo, Turnadot

Rehearsal H

 

 

Hindemith

Symphonic Metamorphoses

Scherzo, Turnadot

Rehearsal Q

 

 

Saint Saens

Symphony No. 3

Poco Adagio

Rehearsal Q

 

 

Rossini

William Tell Overture

Storm Scene

Rehearsal C

 

 

H Owen Reed

La Fiesta Mexicana

Movement 1

12 before rehearsal 6

 

 

 

Bass Trombone Excerpts 2011 

Composer

Piece

Movement

Bar/Rehearsal #

 

 

Bartok

Miraculous Mandarin

Allegro

 

 

 

Bizet

L’Arlesienne Suite

 

Rehearsal M-4 after P

 

 

Mahler

Symphony No. 6

Movement IV

Rehearsal 140- 4 bars after Rehearsal 141

 

 

Rossini

William Tell Overture

Storm Scene

Rehearsal C – 9 bars after Rehearsal D

 

 

 

Euphonium Excerpts 2011 


Composer

Piece

Movement

Bar/Rehearsal #

 

 

Milhaud

Suite Francais

Movement 3
Movement 5

Bar 14-25
Bar 29-34

 

 

H Owen Reed

La Fiesta Mexicana

Movement 1
Movement 1
Movement 1

20 -27 bars after rehearsal 4
21 after rehearsal 6
2 before rehearsal 10

 

 

Shoenberg

Theme and Variations op. 43a

 Variation IV

Measure 169-181

 

 

 

Tuba Excerpts 2011

Composer

Piece

Movement

Bar/Rehearsal #

 

 

Tchaikovsky

1812 Overture

 

Bar 59-71
Bar 258-263

 

 

Bartok

Concerto For Orchestra

IV

Bar 418-426

 

 

Gershwin

American in Paris

 

Rehearsal 15
Rehearsal 67

 

 

Shoenberg

Theme and Variations op. 43a

 

Bar 53-74

 

 

 

Percussion Excerpts 2011

Composer

Piece

Movement

Bar/Rehearsal #

 

 

Timpani

 

 

 

 

 

Tchaikovsky

Romeo and Juliet

 

Pick up into E to down beat of F

 

 

Mozart

Symphony No. 39

1

Opening to Allegro

 

 

Snare

 

 

 

 

 

1. A roll from pp-ff no longer than 20 seconds

2. Rimsky-Korsakov Scheherazade- Movement 4

Xylophone

 

 

 

 

 

Kabalevsky

Overture to Colas Breugnon

 

 

 

 

Shostakovich

Polka from the Golden Age

 

 

 

 

Glockenspiel

 

 

 

 

 

Dukas

Sorcerer's Apprentice

 

4th bar of 17 to 3 before 20

 

 

Tambourine

 

 

 

 

 

Tchaikovsky

Nutcracker Suite

Danse Arabe

 

 

 

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